Description: Thomas William Hammond 1854-1935. Born in Philadelphia of Nottingham emigres, and orphaned at the age of four, he came to England with his younger sister Maria and lived for a short while with his grandparents in Mount Street. In 1868 age 14 he enrolled in the Government School of Art. On the 1871 census he is described as a lace curtain designer, and in 1872 he was awarded the 'Queen's Prize for a Design of a Lace Curtain'. Other prizes followed and in 1877 he was again awarded the Queen's Prize, this time for the design for a damask table Cloth. Hammond was an indefatigable worker, and soon began to use his skills as a draftsman to record aspects of the changing town. He began showing his work at local venues in 1882 and in 1890 exhibited for the first time at the Royal academy. His real hobby was black and white sketching in charcoal. He drew about 350 pictures all together mainly scenes of a Nottingham he knew but which has largely passed away today. Extracted from 'The Changing Face of Tom Hammond's Nottingham' by John Beckett which is the introductory essay in 'A City in the Making Drawings of Tom Hammond'. The White Rents were situated where the weighing machine now stands on Castle Boulevard at the end of Grey Friar Gale, and their memory is retained by the name of White Rent Street which is a short thoroughfare in that neighbourhood. The history of these almshouses - now completely vanished - is interesting, and the reason for their curious name even more so, it appears that a certain William Gregory, Town Clerk of Nottingham, by a will dated 1613, left eleven tenements situated on the south side and near the bottom of Houndsgate for the benefit of the poor. By this will Gregory had made provision for the upkeep of these houses and the trust appears to have continued its work until 1788. Mr. Gregory appointed the Corporation of Nottingham as guardians of his charity but the Corporation divided the property into three equal shares and handed it over to the care of the churchwardens of the parishes of St. Mary, St. Peter and St. Nicholas. Gradually the property fell into disrepair, became the resort of the lowest of the low - and a public nuisance. In 1788 it was sold and the proceeds of the sale were divided equally among the three parishes. The wardens of St. Peter's with their share bought a plot of ground in Broad Marsh upon which they erected a workhouse; the wardens of St. Mary's built twelve single-roomed dwellings on the north side of York Street; and the wardens of St. Nicholas' erected eight rooms - the subject of Mr. Hammond's drawing - for as many poor people of their parish. Their strange name came about thus, Rents of Assize are established rents of a freeholder or copyholder, which cannot be varied; they are often spoken of as 'quit rents' because thereby the tenant goes free, or is quit of all other services; when these payments were made in silver, or white money, they were called 'white rents,' to differentiate them from the rents paid in grain or in work, which were called 'black rents.' The property left by Mr. Gregory was the last estate to pay quit rent to the Peverel family who were the lords of the manor in ancient days, and as this rent was paid in silver the property was known as the 'White Rents.' Image and descriptive text taken from 'Nottingham Past and Present', published in 1926.